Within the highly automated folds of Amazons online bookstore, theres a small team of literary types whose main job is rather old school.
They read books, write about them and rank the works according to their qualities, helping readers sift through thousands of offerings while also planting the tech juggernauts flag in the world of literary culture.
In an engineer-driven company ruled by algorithms and metrics, the Amazon book editors are rare birds. Once in a while, theyre misunderstood by authors and publishers who retain a deep suspicion of Amazon.com after years of clashes over the book industrys future.
The editors produce Amazon Book Review, an online offering similar to literary supplements newspapers have been putting out for more than a century. They also put together frequent lists of recommendations prominently displayed on Amazons bookstore.
The current team was assembled by Sara Nelson, a renowned publishing veteran who was Amazons editorial director until recently ending her four-year stint to become executive editor and vice president at HarperCollins, one of the big New York publishers.
Even with Nelsons departure, though, evidence is clear that Amazon intends to leave its mark in book culture as much as it wants to sell book.
Last month, after four intense meetings and a lot of hallway discussions, the team of editors picked Lab Girl, Hope Jahrens memoir on becoming a plant biologist, as the best book of the year so far, an honor that some publishing experts said could help boost recognition and sales.
Nelson, in an interview before her departure was announced, said the editorial teams scope is broader than that of highbrow literary journals. The ultimate aim, after all, is to sell books.
Were not choosing books that are going to be in the canon, Nelson said. Were choosing books that we think are going to connect with our readers.
To be sure, the Amazon editors output is still far from having the impact of, say, The New York Times Book Review.
I really dont know much about it, said Tina Weiner, director of the Yale Publishing Course, who added that skepticism about Amazons neutrality is hard to dispel because the tech and retail giant is regarded by some to be only out to make a buck.
Yet it comes at a time when many hard-up newspapers are whittling down their literary supplements, and getting a freshly minted book noticed amid a torrent of information is harder. Theres probably a need for other sources of serious criticism that will allow good work to surface, Weiner said.
Others in the publishing world have an unequivocally positive view of the Amazon book editors.
The program is extremely, widely and warmly admired, said a prominent New York literary agent who spoke on condition of anonymity. And not because they are the biggest account in the business, but because they read seriously and influence readers, the agent said.
The existence of this unusual group of book editors highlights the experimental strategy that underlies most of Amazons efforts.
The book editors curated approach coexists with automated recommendations based on a readers purchasing history and with thousands of customers reviews that readers post on Amazons site. It also overlaps with Goodreads, a website owned by Amazon that also has posted reviews and allows readers to see what books their friends are reading.
Then theres the Daily Deal that Peter Hildick-Smith, CEO of publishing consultancy Codex Group, said generates by far the biggest online discovery within the Amazon world.
Nelson, a former editor-in-chief of Publishers Weekly and book editor at Oprahs O magazine, joined Amazon in the summer of 2012.
She came onboard to inject some life into the existing Amazon book review, then mainly known as Omnivoracious. The blog, Nelson said, needed a face-lift.
She cobbled together the current team of five editors, from all corners of the book world, including people already doing book reviews at Amazon and at New York publishing houses. Nelson ran the shop from her office in New York, close to the traditional publishing world, but her teams book-filled cubicles are on the 11th floor of an Amazon building in Seattle, where the company is headquartered.
Unlike most literary reviews, which rely on freelancers, Amazon Book Review depends on content mostly churned out by the Amazon bookworms at the tune of a couple of posts a day. That includes about 10 book reviews per month.
That means a regimen of intensive reading. Adrian Liang, one of the editors and also an independent romance-novel author, said she likes to focus on sci-fi, fantasy and romance. Seira Wilson, who before joining Amazon in 2009 was a sales representative for HarperCollins, specializes in young-adult literature, as well as kids books and cookbooks.
Jon Foro, an 18-year Amazon veteran who was once a bookstore manager, likes to read narrative nonfiction and, according to his website profile, books about bears. Foro acknowledges the uniqueness of the group among Amazons legions of engineers and MBAs.
Were anomalous, he said.
In recognition of the huge diversity of readers that shop at Amazon, book editors must be catholic in how they spend their reading time. They not only go for the big books likely to earn critical acclaim: they also aim for reading works that will entertain or otherwise be interesting to Amazon clients. In addition, genrereaders who buy on Amazon help inform what book editors are going to review.
People read for different reasons, said team member Chris Schluep, a former senior editor at Random House, one of the so-called Big Five book publishers.
Perhaps where the editors have had their biggest impact is in their recommendations of what they consider the best reads. They do so monthly, tallying dozens of books spread in 15 categories, from history to business. They also put out more substantial best-of lists in June and at the end of the year.
Amazons recommendations are picked up by The Christian Science Monitor and Business Insider (a business-news website that counts Bezos among its investors), a sign that the book group is making the rounds beyond the online store.
In early June the editors gathered over bottles of water in a conference room to pick a midyear contingent of the 20 best books so far. Coming in with a list of 38 books drawn from monthly lists posted on the site, they aimed to quickly weed out 18. It was not easy.
As editors championed their favorites, Erin Kodicek, a one-time librarian and department manager at Barnes & Noble who has spent nearly 10 years at Amazon, kept bringing up the ax. Dont forget we have to cut some, she said.
Evicted, a grim report about poverty in Milwaukee by Matthew Desmond, drew praise among many of the editors, one of whom suggested putting it close to the top.
We cant put too many depressing books near the top, said Schluep, the former Random House editor.
But it shows you a way out of the cycle of addiction, said Liang, the indie author.
How many are we going to have on the top five? Schluep retorted.
Maybe we should change the top five to top 50, Kodicek said.
When it came to Lab Girl, it was clear that book would go places. Top five for sure, Kodicek said, to widespread agreement. This could be a contender for No.1.
Whether their picks have an impact on sales or put a book on the radar of other literati is hard to measure. The literary agent who didnt want to be identified certainly thinks so.
Nelson pointed to the teams early embrace of Celeste Ngs debut novel Everything I Never Told You, picked as best book of 2014. It likely helped the book become a success, she said.
Juliana Kiyan, a spokeswoman for Ngs publisher, Penguin Press, declined to say whether the imprint or the author thought they had gotten a specific boost from Amazons accolade. We are thrilled with the success of Everything I Never Told You and grateful for the enthusiasm and support from the Amazon editorial team as well as others, she said in a statement.
Highlighting Ngs novel also gave Amazon a begrudging nod from U.K. newspaper The Guardian.
Although no literary prize can claim scientific objectivity for its judgments, one might be suspicious of a trophy given by Amazon, wrote Guardian columnist Mark Lawson, who nevertheless concluded that after delving into the book there is much here that might impress Pulitzer and Man Booker judges as well as the panelists of an online bookseller.
So bucking the trend to help an unknown author gain recognition also helps Amazons literary taste win some recognition, too.
Or, as Schluep, one of the book editors, said of authors and their encounters with Amazon: They realize were just humans who like books.